It seems to me that there is a large consumer culture with regard to animation, the ethos seems to be that it renders anything possible and makes it an excuse for some damnable licentiousness. In a similar way I feel that this music, having the surety of being Japanese, is kamikaze enough to be a cartoon version of the real music, therefore anything is possible.
Cyberpunk in those days maybe but things have progressed immensely over the last few years in musical array, the artists are not limited to sounding like a ring-tone, because technology and fusion are more avantgarde, lending a more substantial reality. Things were still dreams of technological fixes to everything, and sometimes that was applied creatively with music.
As minimalistic idm I think it's good, and better to be viewed with a certain particularity in mind that appeals to a slightly wider audience perhaps. In other ways there are some big steps to make to make the mark. Ambience can sometimes be merely a protraction of listening experience, but there is some ability to produce a reasonably balanced track in this album. But that's the essence of a fever, so there is a sense of realism and trying to encapsulate what can be quite a traumatic event. Then it continues around a limited periphery of accomplishment, nice enough.
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