Superhabit

Breathtaking beginning with Sintaxis B, and it just slips into perfect step, a nice, mild pace but quietly strong and confident. Nice changes in mode here and there in a well-balanced, impressive manner. Very nice track.

Ceo feels darker, has a slightly uncomfortable feel to it at first. Nicely done, even when it gets going it retains the flavour of acceptable fear. Loved the changes and explorations of different parts of the soundscape created thus. Strong sense of the Celtic towards the end. Interesting switch.

Ciudades Como Esta starts firmly and assuredly into the arena. There's a lot going on that a single listen won't truthfully warrent, so I'm going to say simply it's a brilliant track that just is what it is. No questions.

Buzo has a nice gentle beginning with a fine melodiousness, interweaving into a dew-dropped spiders web through the sunlight. With the retrospective of a dawn chorus. Then the world wakes up and nature steps back, to allow the manufactured hustle and bustle of 'life' commence in all its glorious mundanity.

Susidelight shudders at the start and then changes into a nicely balanced track at an easy pace. Synthetic ambience with a slight twist of lime as it develops. Then your tastebuds adjust and a very acceptable tune blooms before your ears. Nice dramatic ending.

Lazo reminds me of schooldays spent wandering through my radio channels (yes, i'm that old:). The a track appears that you like the sound of, don't know what it is yet but as you like it more and more, you pray to the god of music to answer your prayers and hear the DJ tell you what it was, otherwise it would be lost forever, and exist in some distant part of your future existence.

Soy D'Asturies crackles into the flow of the track nicely, with some lovely flickering percussion and fine melodies over the top. Nice sidetrack explored with confidence and trust in what it used to be like exploring woodlands and knowing where you are. And wonderful sights are to be found as you enter a clearing on the side of a wooded hill and gaze at the beauty of nature sprawled all around, like it owns the place!-)

Debra is very rhythmic to begin with, rocking blocks, and then the track appears to soothe the aching. Comfortable bass consoles the disconsolate mind. And, an astounding ending.

Napalogex rasps its way into existence, very sure-footed and straightforward. Nice mix of sounds within the structure formed. Then, sure enough it rocks your socks off and says 'Hey, that was nothing!" with a confident smile. Excellently diverse in its way, it's well-crafted. Some wicked bass moves towards the end really set it off nicely. Tasty track.

R Copa Turbo has that reminiscence of radio travels but with the thought in mind of how you can make a rhythimic structure from just noise and you are seven years old and don't know how to explain what you mean. That was forty years ago almost and I still haven't achieved it. But I was right. This is a mean track and deserves some certain amount of praise for being pulled and pushed together into its very plausible form.

Eleccion 5 is quite an ambient track, nicely balanced and quite calming, the bass being almost soothing.

Tonight almost sounds like a punk track. Briskly paced and with a voice sample that reminds me of Joy Division (from what I can remember of them) or some such similar band. Nice work.

Epronic flickers and buzzes into life, like a wasp in a jam jar. Fascinatingly furious frustration. Then the cover is removed and it's back to business as usual, doing wasp things that wasps do everyday.

A Little Red Radio is a mild mannered track. Almost Numanesque in places, quite liked that aspect. Took a few long strides but managed to keep pace with itself. The ending made up for it all anyway. Good track if you are willing to stick with it.

Sima sibilantly rattles its' way into existence. Quite minimalist to begin with it is very German school in its resonance. Very technical. Nice track.

Punto Cenital immediately gets on with things with a nice feel. Again it's quite minimal in structure but fills it so well and then does some cool graffiti on top of it all.

Tiempu seems full of eastern promise and begins to deliver an ambient sense from the start, but there is I think a mixture of influences going on. And it has lyrics! A bit of an anti-climax in comparison to some of the other tracks, to be fair. Mostly good stuff though, give it a listen and see what you think.