The first track is almost breathtaking, with its simple complexity. Nothing to be happy, was quite happy. Then, there is the third track with its resounding thrash of synth and tight bassline, that is almost characteristic.
A self-declaration of being experimental, widens the vista of possibilities for music. People who are convinced they are right, are quite often wrong, so it seems. Short Suicide Factory was a very curious piece in places, and it's amazing how much diversity can be crammed into such a small window of opportunity.
The title track has a lovely rolling motion to its foundation, Pay It!-) As for Alkaline Squirrel, it actually made me think of squirrels...
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