Ninbi a muddling through of life, a sporadic bustle of creative energy, a bit low. I think melancholic might have been a fitting genre to add, because I think it works better when viewed as such. Therefore, I would not expect uplifting melodiousness. I would expect what I hear which is fairly solemn, at least for the first track.
Jiun is very sparse and low-key, beautifully minimalistic and organic too, which gives it a sense of life and movement, both metaphorically and pragmatically in its allocative form. Nice experimentation. Like to see the possibilities stretched to the maximum sometimes, does me the world of good.
Ouhi carries on in a similar vein, and there is a faint air of industrialism here too as well as the now possibly, symbiotic expression of experience, pulsing quietly but steadily most of the time. I think, too, that there are definitely some good ideas here, but also that there are some good tracks too.
Finally, Naya again interesting, spoilt by that pesky handclapping for rhythmic building, it was too much, but otherwise very promising sounding stuff.
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